Keista Medis Animacijos Imons
The latest book off Ditto’s press is Keista Medis Animacijos Imons by Russel Maurice and Daniel Sparkes. It is limited to 100 copies and will be available from their shop from 3 September. If you are into astonishingly strange 1970s Lithuanian animation houses (and who isn’t?), keep an eye out for it.
Book launch Thursday, September 2
Artwords Bookshop on Broadway Market
6pm onwards
FIREWEED*

| What | In the 8th exhibition of the SUPER ESTATE PROJECTS, artists Liz Davis, Clare Gerrard, and Susanna Jacobs, present work exploring different aspects of wild nature in the city. Liz Davis’ work involves the passing of time, with two projects on past and future. In the past fifty years, the flora of the City has altered; Liz Davis’ first project sets out to find plants which exemplify these changes. These mounted specimens will become part of the Natural History Museum’s archive. Through painting and sculpture, Davis’ second project looks to the deep future when humans abandon the City, the Golden Lane Estate reverts to nature, and a new ecology emerges. The buildings will be overgrown, Great Arthur House will be alive with birds, and the now manicured open spaces will become thickets within which wild animals will roam. Drawn from field research carried out in the City, Clare Gerrard has made a document of a present day landscape of the City and Golden Lane. Since the Golden Lane Estate was built in 1958 the natural environment of the area has changed drastically. Once it was surrounded by bombsites and ruins and yet full of wildlife, plants and birds. Now wildlife survives temporarily before it is routinely cleared from streets and parks or sites as they are developed. The work is a record of wild plants and flowers found growing in the City today. Susanna Jacobs is showing an installation of drawing and animation. The austere simplicity of the architecture of Golden Lane Estate is seen as a group of stage sets where the drama of the past can be re‐ imagined. The estate becomes wilderness, and nature is resurgent in scenes reminiscent not just of the overgrown ruins of the Blitz, but also of the primitive landscape of prehistoric London. Private view Thursday, September 9, 2010, 6.30–8.30pm Admission Free Exhibition ends Saturday, October 2, 2010 |
| Where |
Golden Lane Estate
20 Goswell Road London EC1M 7AA |
| When |
Begins on Thursday, September 9, 2010 at 6:30pm.
|
Writing/Exhibition/Publication

| What | For their residency at The Pigeon Wing, VerySmallKitchen presents a month long exploration of how writing moves (or not) between the locations of Writing/Exhibition/Publication. Throughout September The Pigeon Wing will be both workspace and exhibition, offering space for a programme of exhibitions, readings, performances, research projects, libraries, and screenings, exploring an abundance of forms and practices at the interface of writing and art practices. Notes, essays, scripts, scores, propositions, live writings, scrawls, appropriations, assemblings and dissemblings, accretive structures and deletions are some of the strategies to be explored by a range of contemporary practitioners from the UK, Hungary, Ireland, the US and elsewhere. Throughout the exhibition, the gallery will also provide a focal point for the 'The Festival of Nearly Invisible Publishing', a programme of self-organised events happening throughout the world, evidence of which are submitted to the gallery for archive and display. The Pigeon Wing also operates an open house 12–5pm Friday, Saturday and Sunday. Individuals and groups whose work relates to the research topics of the exhibition are invited to present their work, join an informal conversation and also to read and consult the library and other materials. Projects unable to make it the gallery at these times, may submit materials online. Friday, September 3, 6.30–9.30pm Opening: Writing/Exhibition/Publication Performances by Julia Calver, Press Free Press, Helen Kaplinsky, Tamarin Norwood Friday, September 17 Film screening eveningMatthew MacKisack: Initial and Reprise. Sunday, September 18 Aphorism as Art Practice Study Afternoon, with Mary Paterson Saturday, September 25, 2pm LemonMelon Publishing Seminar Marit Muenzberg and James Davies, including Phil Baber’s performance Disassembling Cannon Saturday, October 2 Live Writing Artists in residence in the space throughout the weekend include Matt Dalby, Rachel Lois Clapham, Marianne Holm Hansen, and Press Free Press. Sunday, October 3, 7pm Live Writing, Closing meal, Performance event See the website for full timetable of events. |
| Where |
Top Floor (front)
Guild House Rollins Street London SE15 1EP |
| When |
Begins on Friday, September 3, 2010 at 6:30pm.
|
Art Tours leader, Deptford Art Map
Deptford Art Map are looking for two tour leaders to join their happy Deptford Art Tour team, during Deptford X in September and October, 2010 and onwards. Tours run on Saturday daytime and Friday evenings. You will take one to two tours a month, with possible expansion of this in the future.
Applicants should have a knowledge of the artworld in London, good research skills (they will need to swat up on Deptford quickly), and great skills in talking to people.
Tours are paid at a % per group size (or person attending the tour). With this in mind tour guides can earn up to £120 per two hour tour. Guides are encouraged to market the tour themsleves and amongst their own networks to boost numbers and therefore their payment per tour.
If this challenge sounds fun to you, please send your CV and covering letter to The Deptford Art Map, 152 Deptford High Street, London SE8 3PQ by 8 September. Interviews will take place the following week.
Part-time Art Tutor, Brunel University Arts Centre

Expressions of interest invited from experienced artist practitioners/teachers to teach a part-time non-examined evening class (10 weeks) for adults (A level advised but not compulsory for entrance to course). Class is on Wednesday, 5.30–7.30pm and the pay rate is £31 per hour. 15 minute walk from Uxbridge tube station.
Please send CV (not larger than 512 KB ) to jay.wilkinson@brunel.ac.uk
6A Architects on SLG extension
Sinta Werner: Along the Sight Lines

| What | Nettie Horn is pleased to present the second UK solo exhibition by Berlin based artist Sinta Werner featuring a site-specific installation as well as a new series of collages. Sinta Werner aims to interrogate our conventional ways of seeing and representing through elaborate fictitious environments. The creation of these architectonic works notably contributes to her exploration of virtual and physical boundaries, the notion of 'in-betweens' and other such aspects linking the two and the three dimensional. Within the main space of the gallery, Werner's site specific installation 'Along the Sight Lines' is elaborated through her playful use of the effect of 'double exposure' - the installation in itself evokes a vision perceived from two different angles which is effective from the optimal viewing point of the threshold of the space. In order to create this kind of 'double-take', Werner resorts to a combination of processes driven by the use of digital media - an important and innovative element in her work. As a starting point, she uses images of the gallery space which she then projects within that same space by shifting its original positioning - the whole architectural configuration being in this way subjected to a virtual spatial rotation. In order to create this second exposure, Werner materializes this shifted image of the entitic structure through two steps: certain architectural elements such as pillars and beams are rebuilt while the walls, floor, ceiling and pillars are painted according to the projected anamorphic images. Private view: Thursday, September 2, 2010, 6.30–9pm Ends: Sunday, October 17, 2010 |
| Where |
25B Vyner Street
London E2 9DG |
| When |
Begins on Thursday, September 2, 2010 at 6:30pm.
|
Volunteers, Unter Dem Motto (Berlin)
Occasional Papers are looking for volunteers to take part in a performance at Unter Dem Motto, in Berlin on Saturday 4 September.
You’ll be reading lines from a play they have recently published, (pause) by Eva Weinmayr.
If you’re interested and available email info@occasionalpapers.org
Graphic Designer, Z.A.K.
This position requires someone with impeccable graphic design and organisational skills as well as a minimum of two to three years experience as a professional graphic designer.
Responsibilities: Take complete design and management responsibilities with of a wide range of projects including books, catalogues, identities, and electronic media from initial concept to final production; manage the daily operation of the studio; supervise freelancers, interns and contractors; manage several projects simultaneously and successfully; supervise projects through to the print stage; commission and manage external contractors including printers, editors, curators and fabricators; undertake research for project leaders; coordinate regular production meetings; maintain project documentation both electronically and with paper files including minute taking; manage the budget and contribute to the preparation of estimates
Essential Skills: Excellent spoken and written English is essential; excellent administrative and project management skills, including experience devising schedules; demonstrable ability to work under own initiative and collaboratively under pressure and deadlines; experience working with editors and clients; a degree in a relevant subject, preferably Graphic Design; excellent typographic skills; able to display creativity and personal initiative; attention to detail; good interpersonal skills; fluency in current design software/production/print skills: Adobe Creative Suite 4 (required), HTML (desirable); a broad knowledge of contemporary graphic design and art; an interest and commitment in the work for the studio
To Apply: Download full description and application instructions
5 days a week (Monday-Friday plus occasional out of hours)
£15,000-20,000
Deadline for applications: 1 October 2010

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