Issue 1 features Stefan Themerson on why Decency of Means is the Aim of aims; Fay Nicolson’s pedagogy of circulation, Neither Odd or Even; Robin Fior on the graphic language of the British 60s/70s underground press, Mathew Whittington on the Marx Brothers, Casablanca and language as private property; Nathanael West’s short story The Impostor; Open Source Publishing’s letter to Monotype regarding intellectual property rights in typeface design; another instalment of Will Holder’s Middle of Nowhere; Maël Fournier-Comte’s notes for a letter to Jean-Luc Godard’s Une femme est un femme, and Xavier Antin throwing a rubber band in the air.
