Contested Terrains

In a controversial endeavour to reclaim the past, Contested Terrains challenges the problem of the present through an artistic revision of African history, serving as a reality check; sorting truths from assumptions.

Contested Terrains

Adolphus Opara, Orise Egbe Deity of Destiny (Mrs Osun Yita) from 'Emissaries of an Iconic Religion', 2009

Review by Chloe Pantazi

On 29 July, Contested Terrains, a collective of work by four current artists based in Africa – Adolphus Opara, Michael MacGarry, Sammy Baloji and Kader Attia ­–will open at Tate Modern. Co-curated by Tate and the Centre for Contemporary Art, Lagos, Contested Terrains promises to be a compelling and thought-provoking exhibition through its confrontation and destabilisation of particular preconceptions of Africa whilst drawing attention to the ever-expanding gulf between assumption and reality. In its vendetta with the past, the art displayed – a balanced mixture of photography, sculpture and multimedia – constitutes a redrafting of history, calling attention to the eternal problem of the present; how it has become, and may well remain, contested terrain. Contested Terrains will be held in the Level 2 gallery, an area reserved by Tate Modern for upcoming international talent.

Tate Modern
Bankside, London, SE1 9TG


General opening times:
Mon to Sun, 10.00 – 18.00 and until 22.00 on Fri and Sat

General admission:
Free

Written by: Chloe Pantazi